Oct 01, 2015 Showing the great Final Cut Pro 7 (part of Final Cut Studio 3) installing and running on a clean install of OSX El Capitan 10.11 Final Release. This is the release which Apple have just brought. Sep 06, 2018 Final Cut Pro X, OS X El Capitan (10.11.6) Posted on Sep 5, 2018 6:53 PM Reply I have this question too ( 3 ) I have this question too Me too (3) Me too.

Work at a faster clip.

With its modern Metal engine, Final Cut Pro allows you to edit more complex projects and work with larger frame sizes, higher frame rates, and more effects — all at blazing speeds. And it’s built to harness the extreme power of the new Mac Pro for next-level performance.

Jun 12, 2019 OS X El Capitan with Final Cut Pro X Aug 4, 2015 I'm wondering if there's any benefit in waiting for the autumn release of the latest OSX, El Capitan, to buy a Mac and Final Cut Pro X. Yes I also think we see a update for Final Cut Pro X in November. Please Log in or Create an account to join the conversation. FCPX And El Capitan 02 Nov 2015 00:45 #70123.

Accelerated performance with Metal

Metal dramatically accelerates graphics tasks like rendering, real-time effects, and exporting. Video editors on 15-inch MacBook Pro will benefit from render performance that is up to 20% faster while editors using iMac Pro will see gains of up to 35%.¹ And when you’re working on a system with an eGPU attached, you can select which GPU to use — internal or external — for peak performance.

Optimized for the all-new Mac Pro

For the ultimate editing experience, run Final Cut Pro on the world’s fastest Mac, the new Mac Pro. Final Cut Pro takes advantage of all the GPUs in Mac Pro and uses multithreading to spread tasks across up to 28 cores. And when equipped with the optional Afterburner card, Mac Pro delivers the fastest ProRes and ProRes RAW performance ever with dynamic distribution of decoding across Afterburner and multicore CPU. So you can do things like edit video, create motion graphics, and color grade in groundbreaking 8K resolution. All at maximum velocity.

The tools you need. From start to finishing.

With innovative features and an intuitive design, Final Cut Pro accelerates post-production. So editors can create and deliver at the speed of thought.

The Magnetic Timeline allows you to easily experiment with story ideas by moving and trimming clips without collisions or sync problems. Use Compound Clips to bundle separate video and audio clips into a single movable package, create Auditions to try out multiple takes in the timeline, and use Synchronized Clips to align video with second-source audio automatically. Color coding makes it easy to identify different types of content, with the ability to customize the look of your timeline while you edit.

Final Cut Pro offers the most advanced organizing tools of any professional video editing application. Easily tag entire clips or clip ranges with metadata for searching, and create Smart Collections that automatically collect content according to a set of custom criteria. Skimming lets you efficiently browse hours of material in a more visual way, so you can identify what you want in seconds.

Create 2D and 3D titles right in Final Cut Pro, apply and modify filters, and use the built-in chroma key for high-quality green- and blue-screen effects. Expand on the built-in effects with thousands of third-party tools and templates. And for even more control, use Motion to create stunning titles, transitions, generators, and effects you can access from Final Cut Pro.

Final Cut Pro lets you edit multichannel audio using built-in tools for removing background noise and optimizing levels. Adjust multichannel audio files in the timeline or open the inspector for more information and options. Choose from dozens of bundled plug-ins for audio compression, EQ, and more — or send to a professional audio application like Logic Pro X for advanced audio mixing.

Horos native dicom viewer for macos. Quickly encode video using the power of multicore CPUs and high-performance GPUs. Take advantage of presets to deliver ultra-high-quality masters or files optimized for iPhone, iPad, Apple TV, and websites like YouTube and Vimeo. And batch exporting makes it fast to deliver multiple files or projects in multiple formats. You can also use Compressor to create custom export settings that appear right in Final Cut Pro.

Multicam

The industry’s most advanced multicam editing lets you automatically sync up to 64 angles of video with different formats, frame sizes, and frame rates. View up to 16 angles at once in the Angle Viewer. And open the Angle Editor timeline to move, sync, trim, add effects, or color grade individual clips.

Video noise reduction

Improve the look of archival and low-light images with powerful noise reduction tools that reduce or eliminate grain and video noise. Simple controls let you quickly adjust intensity, and it’s easy to change processing order by dragging the effect in the inspector.

Motion and Compressor

Create stunning effects and sweeping graphics with Motion, including studio-quality 2D and 3D titles you can open and adjust in Final Cut Pro. Use Compressor to create custom export settings and streamline delivery of your movie to the iTunes Store. And because Final Cut Pro, Motion, and Compressor all share the same Metal architecture, you’ll experience blazing performance and consistent rendering across applications.

Compressor

Advanced color grading.
Every pixel closer to perfection.

Professional color grading tools are built into Final Cut Pro, including a dedicated color inspector with color wheels, color curves, hue/saturation curves, and keyframes to adjust corrections over time. You can work with High Dynamic Range footage on recent Mac systems that display an extended range of brightness. Or connect the all-new Pro Display XDR for the ultimate HDR experience.

Unique color wheels improve on traditional controls by combining hue, saturation, and brightness into a single, simple interface.

Color and luminance curves allow ultrafine level adjustments with multiple control points to target specific color and brightness ranges.

Sample a color with an eyedropper and change just the hue, saturation, or luminance of a specific color within the image.

Work closer to reality than ever before with HDR video. Import, edit, grade, and deliver incredibly lifelike images with Final Cut Pro. High-resolution scopes reflect HDR brightness levels as you edit, and tone mapping lets you easily convert HDR to Standard Dynamic Range output for broadcast. You can view beautiful HDR content on a wide range of Mac computers that use the reserve brightness of the display to show an extended range of light levels.

HDR on Pro Display XDR

View High Dynamic Range video the way it was meant to be seen. The gorgeous new Pro Display XDR delivers 6K resolution and 1000 nits of sustained brightness for HDR editing, grading, and delivery with Final Cut Pro. And setup couldn’t be simpler — just connect a single Thunderbolt cable from your Mac to Pro Display XDR to use it as an additional display or video monitor.

ProRes RAW. The flexibility of RAW with the performance of ProRes.

Import, edit, and grade pristine video with RAW data straight from your camera sensor. Work with ProRes RAW files and experience all the creative advantages of RAW with the seamless performance of ProRes. And with Mac Pro and the Afterburner card, you can edit in ProRes RAW faster than ever before.

ProRes performance

Remarkably smooth playback and real-time, multistream editing are part of the ProRes RAW package. The format is optimized for macOS and the latest Mac computers, allowing you to render and export faster than with other RAW formats. And if you’re working on Mac Pro, the optional Afterburner card accelerates ProRes RAW performance so you can edit at 8K resolution in real time. Since ProRes RAW files are smaller than standard formats, you can fit more footage on every card.

View the Apple ProRes RAW White Paper

RAW flexibility

Work with untouched image data directly from your camera sensor. RAW files provide maximum flexibility for adjusting the look of your video while extending brightness and shadows — an ideal combination for HDR workflows. And ProRes RAW preserves more of the original image data, making it a great format for archiving.

Workflow extensions. Extend the power of Final Cut Pro.

Work directly with powerful third-party applications — without leaving Final Cut Pro.

Sep 01, 2019 And best of all, most of it is also coming to the Mac in the newly updated

How To Get Final Cut Pro For El Capitan